I'm adding this to the very short list of Christmas music that I'll listen to.
John Fahey's, "The New Possibility" album, Stan Roger's song, "First Christmas" and now John Lee Hooker.
From starting out listening to my parents records to staying up late at night listening to the radio to being introduced to album collecting as a teenager to making mix-tapes and into the present, it seems that I've always been searching for and listening to music of widely varied genres. Here's an idea of what I've been hearing along the way ....
John Fahey's, "The New Possibility" album, Stan Roger's song, "First Christmas" and now John Lee Hooker.
Playlist for you, wherever you may be. Various genres from varying years. Hope it's something that you'd enjoy .....
Old (and seemingly dusty), acoustic blues from various artists, both known and not so well known. There are times when pops and cracks in the recordings are good things. Plenty of acoustic slide guitar too, which should be its own genre.
It's on order but won't arrive for a few more days. I'm considering taking the day off from work.
I used to get so excited and anticipatory for new releases and it's nice to feel that old excitement again. I've been looking forward to a new Peter Gabriel record for years.
There's a dark-side and a bright-side mix. I don't really know if I'll be able to tell the difference. He's been releasing one song at a time for the past year on the occasion of full moons. I've listened to four or five of these tracks but not more than once. I want to experience the record like the old days when a new record would be previously unheard on release day.
I want to hear one song at a time as if it's the first time. In some cases it will be. I haven't heard any of the recent releases yet and don't recall the tracks heard months ago.
I wouldn't have ordered it online if I could feel any amount of assurance that I could find a physical copy locally. But that assurance doesn't exist, so I'll be watching for the delivery truck coming around the corner. I might need to monitor my blood pressure hourly.
While I'm waiting for the Peter Gabriel to be delivered .... This arrived today and was heard late evening. 'Floa' by Mammal Hands. From 2016 on Gondwana Records.
I'm attempting to become a completist .... of the band and possibly the record label.
Their only recording to this point. A trio featuring double-bass and saxophone. From 2022 on Gondwana Records, which is proving to be another record label loaded with extremely top quality recordings.
If I trace the entire lineage of this path, it started a year or two ago with (radio) channel surfing while driving home one afternoon and stumbling across an interview with members of Gogo Penguin, which eventually led to discovering, Portico Quartet and then all the others mentioned here. Each band foreign to me prior to that fruitful drive home from wherever.
And here I am, with this record by Vega Trails receiving daily listens for the past week.
..... And hoping they're preparing to release another.
Sidenote: The problem with getting this new 600-ish page book titled: 'Mixing Up the Medicine,' full of essays and photos on Bob Dylan, is that I don't know where to start.
"Gift From the Trees" by Mammal Hands. On compact disc. Released this year on Gondwana Records.
For the past year or two, I've been searching for new sounds and directions in jazz. Something besides bands covering the standards. Mammal Hands is one of the results of that search.
I rarely sit and listen to an album all the way through. My usual method is to listen to two or three songs at a time. But I was unable to walk away from this.
From 1964. Folk and Blues, an original or two all sung in that great voice.
A Tom Rush playlist might include:
That being fact, you might just think I would have known that Gary Louris released a solo album in 2021. And I did, but not until a week ago. But it's on my turntable now!!
Of all the online things people did during covid, his 'Shit Shows' were my favorites certainly helping me get through a few of those hours. Filled with humor, storytelling and great music. Something that's needed most days.
'So Much' by Peter Gabriel. Incredibly beautiful.
Twenty-six songs on this sampler. Some gems within. Some of the more noteworthy offerings .... your opinion may vary ..... 'Little Bit of Rain' by Fred Neil, 'Killing Him' from Amy LaVere, and a cover of the old Tim Hardin classic, 'If I Were a Carpenter' by Eldridge Holmes.
I'll also mention, 'G-Man Hoover' by Van Dyle Parks. It took years but I appreciate Van Dyke Parks now.
..... and I still have at least half the songs on this collection, to listen to for the first time. More gems to discover.
All these various Oxford American compilations are well worth picking up .... if you can find them. Last time I looked they were pretty expensive. I have three on compact disc and would like to gather the entire collection. These to me, would qualify for, as the vinyl community folks like to say: "Holy Grails."
Listening on KLCC-fm radio to the festival concluding performance of the Oregon Country Fair this Sunday late afternoon into early evening, This was the opening song of their live set. A great way to grab ones attention. Wishing I had been there.
First time hearing the group and the song which I thought from the echoing, repeated line of lyrics that it might be titled, 'All I Want' but when I typed those words into the YouTube search engine, several videos for their song, 'Safe' came up.
There are still good things to be discovered these days on the radio. Especially local community radio stations who can broadcast performances from live and local festival events.
A live performance of the song from 2019 in the Paste Studios.
I first became interested when hearing their song, 'Burning Stars' on a short lived Oregon Public Broadcasting series that focused on local music .... the Portland scene. It didn't take long to get hooked.
They were a breath of fresh air. A little more artsy than the usual Indie band. Explorative in many of their song openings. I don't know if others would agree with my use of "explorative" but that's what comes to mind.
The people I grew up with, the people I attended concerts with, they probably assume that my favorite records are the certain singer/songwriters and jazz artists that they've heard me talk about many times before. They might just be surprised at some of the other records that I've felt a connection with over the years.
On my doorstep today, the new one titled 'Weathervanes' by Jason Isbell and the 400 Unit.
I've refrained from listening to song samples beforehand because I wanted to experience the record for the first time like it was done long ago. By sitting down and taking in each song in its entirety. I'll go out on a limb ahead of time and say it's going to be great. I've come to trust over the past decade(s), the quality and consistency of the songwriting. And I know that I'm going to be 'feeling' the vibe of each song.
Great stuff for those interested in the early days of recorded music.
46 cuts in the package and a booklet of liner notes, old photos, reproductions of record labels and intricate artwork by Robert Crumb.
For someone my age, it's like you've flashed back in time to stories once heard ...... of your grandparents living room and it's a Saturday night in small town South Dakota with the family gathered together listening to the radio.
If country music hadn't strayed so far from its beginnings, I'd be listening to it today.
I have a different, more varied MO when searching online but when I walk into a physical record store these days, I primarily browse the jazz section. Among all the records seen a dozen times before, I came upon this, which I'd never seen before.
Playlist for this Sunday night ......
A 'Rockin' the Suburbs' radio/podcast, playlist, where it appears that listeners call in and submit songs to share .....
I think the idea that I've been rebelling against is the tendency in jazz to play and fill albums with cover versions of jazz classics.
There's none of that here. Original tunes, new directions, fascinating listening.
I'd love to know the story behind settling on Irreversible Entanglements for the bands name.
Just scrolling looking through my iTunes library, choosing this and that. No particular theme or goal in mind.
I spotted this Ella Fitzgerald - Duke Ellington record, the previous time I was in and had been regretting not taking it home. Thankfully, it was still there. I've been bitten by that bug more than once when I put off the purchase for another day.
Female jazz vocals and a great cover photo on near mint condition vinyl. Released in 1966, (I think), but recorded in the 1950's.
In the past five years, I've come to appreciate and enjoy, big band jazz sounds. Flipping through the bins of used vinyl, I came across this Woody Herman Big Band offering. A moment later, I uncovered a J.J. Johnson - Kai Winding album .... as if it needed more trombone, (I'm not going to argue against it). there's three or four additional trombonists listed in the credits.
I came across a vinyl copy just a few days ago. The cover caught my attention and nullified any initial hesitation upon discovering the participation of multiple saxophonists .... I've been attempting to get into other jazz sounds lately rather than saxophone dominated recordings. I enjoyed the listen though.
My knowledge of jazz styles is basic and limited. I comprehend and interpret this as a cross between swing and bop. A short review found on the Dusty Groove website calls it: "A rare bit of mid 50's modernism."
I really don't know much about jazz, its history and various styles. Oh sure, I know many of the names of the players and have a few where I search for their recordings, but I mostly sit and listen without attempting to analyze or describe what I'm hearing. I think I know swing when I hear it but the difference between bop and post-bop, I have no clue.
I do know that Art Blakey is a drummer. And Lee Morgan, who is also on this recording, plays trumpet.
I'm fascinated with the album cover photographs on jazz recordings from the 1950's and 60's. It's an art form that I wish were employed more often these days. If only producers, musicians and record labels felt the same about the everlasting power and beauty behind photographic images as I do.
I heard two or three songs a few years ago and was intrigued. Then somehow failed to follow up. Until now that is. Beautiful melodies that melt into the next. Jon Hopkins adds splashes of sounds and atmospherics.
Upon first reading the name, 'King Creosote,' I assumed it was primarily a Cajun or Zydeco recording. But King Creosote, aka Kenny Anderson, is an indie-folk based effort.
Just have to listen to Jason Molina from time to time. He was incredibly prolific in such a short time. I can't help but wonder what else he might have created and shared.
And if you ever hear anything by The Magnolia Electric Co, that's Jason Molina too.
Just mumbling, fumbling, stumbling and bumbling around my iTunes library, playing this and that. Looking for massively overlooked (not intentionally) and forgotten gems. Because we all have some.
The working day over, I ran to the local record store / drum shop, this afternoon to see what I might find ....
I've had a thing for jazz acoustic bass players lately. Stumbled across three that qualify.And I was excited to find another on the ECM label.
1) Oscar Pettiford - 'Blue Brothers' .... from 1973 on the Black Lion Records label. I love these little known but often fascinating record labels.
2) Dave Holland - 'Emerald Tears' .... from 1978 on ECM Records.
3) Niels-Henning Orsted Pedersen - 'The Eternal Traveller' .... from 1985 on Pablo Records.
None of these were there the last time I was in. This is one memory issue that I don't have struggles with.
This is my idea of an exciting Saturday these days. Time spent quelling addictive urges, flipping through hundreds of previously owned records resulting in two or three vinyl discoveries. (Even had I found only one, it would have been exciting.) There are few places I'd rather be. And few modes I'd rather be in than full-on vinyl nerd mode.
My introduction to Victoria Williams was through the 1993 compilation album, 'Sweet Relief - A Benefit for Victoria Williams.' Various musicians and bands covering her songs to raise money to help with her multiple sclerosis diagnosis. Among the many treasures discovered, there is a recording of her song, 'Crazy Mary' by Pearl Jam that has long since become a favorite. It's nice to hear the songwriters take on this album. Her voice, seemingly tiny and fragile is quite the contrast from Eddie Vedder, but every bit as powerful.
A very enjoyable listen.
Friday night playlist for a friend .... imagining what I would play for her if she were here this evening. No hidden messages lurking in the titles, just songs that I enjoy and want to share. One that I'm even hearing tonight for the first time.
Friday evening, strolled into a record store, not expecting to find much but within a few minutes, stumbled across these .....
All from the 1960's with the cover photos and art that I love. All meeting my requirements for album covers (and vinyl too) in good condition. I generally won't even consider the purchase if the cover is looking chewed up and tattered.
It was one of those record buying excursions where I walked out of the shop, feeling like I had found treasure. None had price tags attached so I had to ask. Those moments the shop owner spends researching the titles on Discogs, always frightens me. Especially when it involves vinyl from the 1960's. The resulting asking price was very much less than I was expecting.
Because the basketball games are over and if I attempt to read, I'll be asleep in five minutes for I'm that incredibly sleepy, but not ready for the night prior to my day off from work, to be over just yet, so here's another instantly cobbled together playlist, because there's certainly more to this world than work, eat, sleep and repeat .....
Playlist for a Wednesday evening, pre and post, Blazers basketball game ....
For the past six months or so, I've been searching for and listening to more and more of the music that resides in the spaces that intersect between jazz, modern classical, avant-garde, modern creative, chamber music, exploratory and possibly a few other genres. Music not generally found or heard. One has to be fortunate to stumble upon a title ..... possibly through a online friend (like in my case) .... and explore and discover from there.
I don't care what its assigned label eventually becomes, I just want to stop and hear more.
'Green' by Hank Roberts, Marc Ducret and Jim Black. From 2008 on compact disc.
Hank Roberts is a cellist. Varied styles and sounds mixed together. I don't know what to call it. Chamber jazz maybe? But it's not really jazz. Modern creative possibly?
It is an enjoyable discovery and listen.
From the Amazon review: "Roberts adapts and recomposes musical elements from avant-garde and traditional jazz as well as funk, R&B, rock, gospel, and traditional Native American music."
Ok, now just go out and get it!! Get lost in it!! Get in your car and go for a drive! Watch the countryside pass by. See something new.
Piano jazz from 1971. 2021 Reissue that was originally released on the Black Jazz Records label.
A different kind of Jazz playlist. Not a lot of household names here. No jazz standards here. That doesn't mean it can't be enjoyabl...